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Most pedals, pre-amps, and effects sends on amps that have them should work.įor plugins like Amplitube, that will work as well but you'll be plugging your headphones into the computer rather than the BigHead for that. I just ran my Aguilar Agro through the BigHead and it sounded great. Tl dr: I need something to play bass through headphones, but really want good warm tone and some distortion.Ĭlick to expand.Pedals are fine. I feel like I would get too sucked into changing effects and play less. The iRig - but not sure the tone would satisfy me.ĥ. Maybe the bk7 as the vintage is hard to find in Canada right nowĤ. Get one of the Darkglass Ultras - probably the vintage deluxe with the aux in. Get something like the Phil Jones Bighead, which sounds really clear but the tone doesn't really shout out at me.ģ. ANYTUNE VS AMAZING SLOW DOWNER 2017 UPGRADEThis has the advantage that if I find the space to upgrade I can get a cab to go with it later.Ģ. Get a class d head and use it straight to headphones without a speaker (this is safe right?). I also need an aux in so I can practice along to songs.ġ. I got an Amplug but the first set of batteries ran out in about two days and the tone leaves a lot to be desired, so it's not a full-time solution.Īs my place is small I'm also leaning towards getting something smaller than a combo. So ideally I'm looking for something with a nice warm vintage tone that can go heavy. I lean towards liking more vintage tube sounds, in terms of sound, well, I play a lot of Motown, classic rock and Americana, reggae and ska, hardcore punk and the odd bit of metal. I don't want to compromise on the tone just because I'm using headphones. I need your help! I am genuinely stumped on what to choose.Īfter a couple years hiatus from bass I've ordered a JMJ mustang and need something to play it through.įor the moment (due to covid) I am only looking to play through headphones, as my apartment is small and I don't get alone time to practice out loud. I still keep a Vox Amplug 2 handy for portability and being able to play everywhere with no cables. FYI, I clearly have similar needs and learnt a bit about the matter during these months. The amp is modelled after a modern 1300W metal head and IMO doesn't easily deliver warm old school tones. Ignite/STL there is a free bass amp model and cab loader in their site. It has a stand alone, unlike the others in their line. ANYTUNE VS AMAZING SLOW DOWNER 2017 FULLI wouldn't buy it full price (I didn't) but it's often on sale, as most JST software. ANYTUNE VS AMAZING SLOW DOWNER 2017 FOR FREEJST Rex Brown Bassforge: way more versatile than the name and branding make you believe, a tidely organised UI with solid tones, a great management of grit/distortion/warm tube breakup and two great features - an embedded IR loader (there are good bass ones around for free too) for tonal flexibility and a multiband compressor to calibrate and balance the final tone and avoid bloated rumble or harsh top ends. Otherwise, the free amp and FXs in the custom shop version do the job, and models can individually purchased if needed. Amplitube: not so streamlined as UI in my experience, but the Ampeg SVX suite was recently given away for free - I posted the link in the right section. ![]() Great for dUg-style tones without headaches and multiple split tracks, but it seems it's not the kind of tones you're after. Sphene LE: a $2 model for easy and foolproof biamping. Audiffex GK model (free version): a nice and versatile Gallien model complete with stand-alone front-end which does the job wonderfully for clean tones and includes a metronome and recorder in the same window ![]() ANYTUNE VS AMAZING SLOW DOWNER 2017 SOFTWAREIf you want to take this route, this is the software I can suggest: can be more distracting (that depends on you) ANYTUNE VS AMAZING SLOW DOWNER 2017 PORTABLEcan be less portable (or as portable, only in different shapes, if you're considering an amp head, tbh) your practice on headphones! (and I'll stop here) fewer cables around and all mixing happens within the box, for quick and effective control of all levels (instrument, external tracks, etc) more powerful for your needs (to load drum machines, record a few ideas, play along stuff everywhere, from streaming to files.) accordingly, a basic instrument to usb interface can basically cost nothing nowadays and will do the job less expensive (potentially, unless you start to develop severe software GAS) I'll highlight what I think are pros and cons vs practice with dedicated hardware: ![]()
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